Euphony and Syllable Identification

I came across these passages of dialogue in a novel:
“Talekli lamo da ti saso ma, hasi de los padremaso tik de lama… Masa tu so gladji beri rama…”
“… saso ti da mati namo, zara ti raguesta di la ramo…”
“… maso si nami lama”
“Slami makto, shaba tlek na doura rashamateran…”
“Sama slektli, Tara oorsi sa mamda lami se tarakogla me so sani ta deloka de somata so se hakara de sao soma…”
Euphorically, I find this language quite pleasing. There is something of a Mediterranean feel to it, probably due to the numerous open syllables. This is somewhat ironic, since in the novel the languag is supposed to be demonic, or at least trans-dimensional!
There are clear advantages to having a conlang that is both clear and easy to listen to.
Why are these words so pleasing? Euphony is subjective, of course, and one factor will be how the reader will render these letters into sounds. For me, at least, even the longer words were easy to pronounce since my inclination was to treat the words as though composed of Japanese mora: for example “ra-sha-ma-te-ran”. Nearly all these words are treated as being composed of CV or CVn mora. Exceptions to this include “kli”, “tli” “dre” “gla” (CCV), “los”, “tik”, “slek”, “tlek” “es”, “oor” (VC), and “glad”.
This suggests that I have a tendency to treat certain letters as being more likely to terminate a syllable. -k or -d after a vowel are treated as the end of a syllable rather than the start of a following mora. Would the voiced/voiceless equivalents of these letters be treated the same? According to this article on cryptograms, the most common letters to end a word (rather than a syllable) in English are: e, s, t, d. The ending -t suggests to me a perfect or finished aspect. Odd that the word “stop” in English ends in a -p, although one sometimes encounters “stopped” spelt “stopt” in older texts .
Since Diinlang will attempt to utilize compound words, with each syllable being a corresponding “normal” word, there are obvious advantages if there are simple, consistent rules for recognition of where on syllable ends and another starts.